Resolve sees the other text line as an object and pushes the top line from its original position. Yet, making sure the other lines of text stay in the same position is a struggle. Unfortunately, where Resolve falls short and ends up in typical NLE title generator territory is adjusting a single line of text in a box of multiple lines: this feature works poorly.įor example, you can change the size of one line by highlighting that line and increasing the font size in the inspector. We can apply all of these effects to the text inside of Resolve - there’s no need to open Photoshop just yet. There are several things we need to do mimic the title card: give the text color and a drop shadow, capitalize it, and underline the top row. With basics of the title generator covered, let’s create our first title: the Tarantino-inspired title card from Kill Bill. As a result, you won’t be able to create the classic trailer text where the word moves forward in Z-space, while the individual characters move slightly apart. However, there are some settings that you cannot keyframe, such as the spacing between characters. Those are who are familiar with NLEs and compositors will know that this diamond icon represents a keyframe, and that means you can time the control parameters of that individual setting to change throughout the title clip.
It doesn’t have the intricate text features that Photoshop or After Effects has, but it certainly covers the basics - and a bit more. Although the inspector panel breaks down into several sub-menus, the panel is mostly two sections: text properties and design properties. When you open the inspector panel, you see several different options for customizing the text, and the options vary slightly depending on which title you’re working with. As with all of the effects and transitions in Resolve, the truly customizable aspect of the features comes to life in the inspector panel. However, I doubt you’ll ever modify text in that manner. When you’ve dragged your title onto the timeline, you can double-click the text bubble in the preview monitor to write the intended text, and you can also move and enlarge the text with the control points. The five presets are Left Lower 3 rd, Middle Lower 3 rd, Right Lower 3 rd, Scroll, and Text. Here you have five presets that you can drag onto the timeline - akin to Final Cut Pro. Resolve’s interface works by opening and extending panels, so to get to the titles, you need to open the effects library, and on the toolbox menu, scroll down until you reach titles. It’s a lot smarter and cleaner than the title panel in Adobe’s products. Resolve’s title generator isn’t revolutionary however, the user interface and the fluidity of the generator are certainly admirable. We’re going to attempt to recreate a title card from Kill Bill, and a typical lower third you would expect to see on a news broadcast. Let’s have a look at Resolve’s title generator to see how well it performs.
#Gear template generator licence software
Since the release of 12.5 (and now at v.14), DaVinci Resolve has been making advances across the board to garner recognition not only as a leading color grading software but also as a professional NLE. While title generators are not the defining element of an NLE, it would be great to have an NLE that can do a little bit more with titles than the same functions we’ve seen over and over. In this review, we take a look at the Title Generator’s performance. DaVinci Resolve has made strides to expand beyond its color-grading background.